Hey NYC fam — hope you and all of yours are keeping safe out there in these wild ass times 😐
Never thought we’d be whitelisting a blog post to share a room sublet, but due to what’s going on we’re only really speaking to people “within our networks” rather via the more traditional channels in posting this sublet!
Our roommate has just been let go of her job and is moving home to Long Island, which means our epic & sunny 3BR/1.5ba top floor apartment has a room coming vacant.
The apartment itself is in Clinton Hill – 2min from the Classon G stop. Getting into Manhattan takes 10-20min via A/C or L & we have citibike stations a block away in all four directions! (Also, when things go back to normal, we do have a ton of restaurants and bars & cafes all within walking distance).
Here are some photos of the room:
Here are some random photos from the roof, etc:
Here are some photos of the common spaces:
In terms of roommates, only one of three of us are currently even home for the next couple of months (I’m in Canada waiting on a visa for a new job and (my girlfriend) Sam is down in Australia until the borders open up again). Kirsty is the lone soldier holding down the fort at the moment. Here’s a bit more about each of us:
Kirsty: heads up the marketing for a super cool tech company called AirTime (founded by Sean Parker). It’s an app that lets you watch shows together with friends when you’re not physically in the same place (it’s basically built for this pandemic and has been pretty exciting to see take off over the past couple of months!)
Sam: works in HR for Global Health Strategies, an agency that focuses on health communication (a client is WHO so they’re pretty busy at the moment). She’s doing her job from Sydney until the borders re-open — which is all up in the air at the moment 😦
Will: my background is in tech and I’m to be starting a new advisory role in that space for NZTE. I moved to NYC four years ago and have lived in this apartment ever since — I love this place & this part of the city. I’m going to be in Canada for however long it takes to get my visa sorted, but after that will be mostly based in San Francisco and back here about a week each month (essentially for anyone looking for a long-term place it’ll be mostly 3 people living in the apartment once we go back to normal life).
Right now though, we’re excited to connect with anyone who is looking for a safe and comfortable place to live (flexible length). All of us have been ruthlessly self-isolating and working from home for about a month — and are looking for someone approaching this moment in time with a similar vein.
Even with four of us working from home recently we are SO fortunate to have a lot of space (both personal and shared). Each room has space for a desk, we have a big stand up workspace in the kitchen (with a monitor) and the lounge is massive with two full couches (plus we use the roof as well since the wifi still works for us up there).
If you’re interested in chatting the easiest will be to fire me a Direct Message on Instagram & we can jump on a call or text from there.
FROM THE VAULT: a version of this was originally published in 2017 but has become a topic of conversation again of recent (for all the wrong reasons). Its narrative is amazing and the campaign’s execution was awesome so it’s worth having a read (or re-read)
In late 2016 — which in start up years, was approximately 100 years ago — I dropped into Chicago for a few days to chat-Snap at Social Media Week & grab a few slices of deep dish (can confirm, both are a great time).
Anna Russett was one of the SMW speakers, and was the most on to it when it came to Storytelling. Anna hosted a session about How Snapchat is Redefining Traditional Media. The thing that was super epic about this presentation was learning how she’d built an audience across several channels and used the platforms to educate her fans and followers to be cognizant when it comes to (social) media. Or more simply, she gives a shit about the world around us and is actually doing something about it.
Chatting briefly afterwards we hashed an informal plan to run a campaign together, amplifying the voices of her followers through Storytelling & UGC. We didn’t know what (or when) until a the following year when I got an email saying she wanted to do a UGC Story with her community on the Muslim Ban so we jumped onto a call to chat it through.
That night Anna executed one of the most powerful conversations on the topic. It was overwhelming what she received from her followers — not just in the US, but all over the world (and all of it on Snapchat).
Traditional Media picked up on it too, with several stories on the campaign and on Anna.
Flash forward 12 months and Muslim Ban: Our Voice was nominated for two Shorty Awards
Muslim Ban : Our Voice, outcomes:
The results were truly staggering, and showed not only the power of UGC on Snapchat, but also the willingness of Millennials and Gen Z to engage in conversations about politics and the world around them in a real and genuine way to drive social change. A community of over 11,000 on Snapchat made 40 minutes worth of video.
Soundbites that speak volumes:
- “I want to thank Trump for bringing to light the racists in my high school,” said one Muslim young woman who said she’d lived through the recent civil war in Libya and emigrated to Canada with her family to escape from violence.
- “No one in this world should be feeling less than other people because of their race or religion”, said another young girl with the caption ‘I’m so sad’
- Many of the submission invited others to add them so they could continue the conversations. One group formed on that evening calls themselves “the potato gang” and has kept up a group conversation about their lives and politics. Anna met one of them in late 2017 who expressed their gratitude in person, and told her of their plans to meet up soon.
By the numbers:
- # of Story Snaps: 255
- Total length (s): 2,334 seconds
- Total Views: 1,379,371
- Total Screenshots: 360
- Total Views (s): 12,537,172
- Total Views (m): 208,953
- Total Views: (h): 3,483
As his Twitter bio says, Brooklyn Nets Point Guard and potential NBA All Star Spencer Dinwiddie is “Just a Tech guy with a Jumper…” and today he’s hoping to get an advance on the that Jumper which is currently valued at approximately $11.5MM per year.
As reported by Forbes, Dinwiddie is intending to offer an opportunity to have an exclusive access to a portion of his salary. All of this is being facilitated through what are called DREAM Fan Shares, a startup investment platform built on the blockchain technology Ethereum (one of the most widely recognized cryptocurrencies).
He plans to issue a total of 90 SD8 coins which are valued at $150,000 each. If fully subscribed he may open up nearly 40% ($13.5MM) of his contract before getting paid.
According to various sources this offering is securitized through his current $34MM contract.
Initial reports of the plan outlined the offering to be structured more like an equity asset or shares, where the potential upside was tied to Dinwiddie’s final year of his contract, or player option, where a premium dividend happened if he was able to forego his current $12.3M deal with the Brooklyn Nets for a new, more lucrative long-term deal (with Brooklyn or elsewhere).
According to Dinwiddie this is where the NBA saw major issues with his plan, going as far as hiring outside counsel.
“Pretty much what they said was that the player option was gambling,” he told Forbes, “and that would’ve been cause for termination.”
It appears that the two parties may have found common ground now through a less risky option to investors. According to Dinwiddie’s representatives the instrument will be structured as a bullet bond where, over the three years, a coin holder is expected to receive a 4.95% base interest rate monthly, with the full principal paid returned on the bond’s maturity date (which is February 10, 2023).
These coins, if fully subscribed, should then return investors a total of just more than $2MM over the three year period. Beyond the base interest rate, Dinwiddie is outlining the ability to have a more intimate experience with the business of professional athleticism.
For Dinwiddie, this is more than just being a trailblazer among professional athlete autonomy, it’s allowing him early access to guaranteed contracted cash and aligns with his desire to put that money to work through smart investments in technology and other businesses.
Who knows, if his offering is oversubscribed it may even afford him the ability to be picky with ownership of his coin. This would be equivalent to taking on strategic investment in the startup sphere.
The idea of holdings in a professional sport contract is not novel; startups have been trying to have a go at this for more than a decade. Finally though, it appears that the technology and social acceptance of these innovations may now be intersecting with this concept and the fact that a potential all star on one of the most significant NBA franchises is leading the way only helps with validation.
Whether you’re looking to invest or if you’re Spencer Dinwiddie himself, one thing is certain: understand the risks and invest wisely.
This offering aims to launch today (January 13, 2020) to verified accredited high net worth investors, but according to The Athletic, as of last Friday (January 10th) the league is still reviewing Dinwiddie’s revised proposal and the platform is not guaranteed to go live today.
p.s. For the record (assuming my understanding of the initial offering is sound), I’d have preferred that plan and looking for upside on Dinwiddie signing a Max Contract rather than exercising his player option. Back of napkin math: upside of let’s say say $8MM (go from ~$12MM to ~$20MM, and could be higher) which would be more like a return of roughly $3.2MM vs $2MM to SD8 (+ 60%). Far greater exposure to upside while also IMO reducing likelihood of a default.
p.p.s. this isn’t investment advice, do your own homework, don’t take my word for anything and all that stuff you’re supposed to say for investment things. Seriously.
A version of this article was featured by Campaigns & Elections Magazine, you can see it here.
For years now, democracies around the world have branded their youngest eligible voters apathetic to the political system — unlikely to show up on the day and therefore not worth betting the house on.
The 2018 Midterm Elections in the US turned this narrative on its head, where 18- to 29-year-old voter turnout went from 20 percent in 2014 to 36. This is a 79% increase and was the largest percentage point shift of any age group.
Some of the biggest gains within this demographic are happening on campuses around the country. According to Bloomberg’s Balance of Power:
- African American women are the most active voters on campus;
- LatinX women saw the largest gains in voter turnout of any demographic;
- Women’s colleges had the highest rates of campus turnout.
This trend in political engagement wasn’t just a one off in 2018, since then Gen Zers and Millennials have been triggering ‘youthquakes’ in democracies around the world.
© Snapchat; Snap, Inc.
Just last month in the UK, the largest jump in registered voters happened on the exact same day that Snapchat reminded all of its users via direct message to register to vote.
Looking ahead to 2020 in the US, this trend does not appear to be slowing down, where a recent report indicated 80% college students intend to vote, up from 48.3% in 2016.
The youth vote see the world differently to older generations. They prefer to hear from a peer or online influencer than from a brand. They are also more likely to trust a younger Amazon or Apple to an older Bank of America or Coca-Cola.
When pressed on these preferences a key theme arises: they perceive influencers and younger entities to be more trustful. Two of the most common words used to describe trust were: transparent and authentic.
Taking a step back then, a 2020 Candidate should be strategically positioning themselves more like a Megan Rapinoe and less like a Morgan Stanley.
Positioning for authenticity and transparency means engaging young voters on their level and getting cozy where they’re spending a lot of their time. That means embracing the ephemeral storification of platforms like Snapchat & Instagram.
Young voters perceive stories as a truer representation of individuals than the ‘easier to fake’ Newsfeed. Stories are short, unscripted, and to the point, which is why young voters watch them everyday, many times a day.
Stories are not the only form of Vertical Video though, Instagram TV (IGTV) and Snapchat Discover both cater to higher quality and longer form content. For Public Figures, IGTV is particularly advantageous, as it houses videos directly on their Instagram account and allows for the sharing of the first minute of the video directly on to the Newsfeed.
The Storification of Social Media means constructing a strategy specific these platforms and optimizing all of their feature sets.
- Yes, you need to be taking questions from your followers on Instagram Live;
- No, your YouTube video or TV ad is not a Snapchat Story;
- Definitely get more ‘sweat’ out of your high quality video content by repurposing some of it (and its b-roll) into properly produced video for IGTV segments;
- Absolutely draw inspiration from daily news shows like NBC’s Stay Tuned on Snapchat, which averages +30 million viewers each month.
Vertical Video allows for more regular and ‘real’ engagement with your audience, stories speak with your audience rather than at them. They are, by design, lower production value and add authenticity to your narrative. Beyond organic Stories each channels Paid Advertising options are inexpensive and effective. You only need to look at the aforementioned UK voter registrations to see direct response in action with those under the age of 25.
Sourced from Twitter: @ElectionMapsUK
Today, politicians are already winning with these strategies:
- AOC regularly does Live Stories on Instagram, providing her +4M followers unfiltered background and updates — just for them.
- Beto used features like chat to listen and respond to real questions from his youngest fans during both his campaigns.
- Donald Trump shares own narratives directly to IGTV, each generally garnering +1m organic views.
If you’re a potential candidate planning for next year and don’t yet have a dedicated Strategy for Stories, you may not survive another 2020 “youthquake.”
Image recognition:
- Feature Image: “Rock The Vote – We Will Campaign” by Spencer Paul Bagley is licensed under CC BY-NC 4.0
- Team Snapchat: © Snapchat; Snap, Inc.
- UK Voter Applications by age: Sourced on Twitter @ElectionMapsUK
Viewership statistics for the first quarter of the 2019/20 season were released this week. Given the the offseason hype — at first glance — they may appear alarming.
Major media outlets are blaming things like the NFL and early season load management of star players as key factors at play.
In 2019, only analyzing one traditional element of what we should consider ‘viewership’ is incubating a false narrative on the league’s engagement.
As the NBA itself, the 30 teams and hundreds of extended fan communities all vie for our “second screen,” our smartphones have quickly become a more robust source on game day than a singular cable network.
Here are a few reasons why these viewership metrics are misleading of the NBA’s true fan engagement this season.
Instagram is winning on Game Day
As a fan, I follow @NBA, @Raptors, @BrooklynNets, + a handful of players from each team, along with all major outlets (ESPN, Sports Center, The Score, etc). Additionally, there are also unaffiliated New Media accounts like @SidelineSources, House of Highlights, @NBAmemes and The Gist Sports adding different angles to the game 24/7.
A typical game day looks like this:
- Nets & Raptors generally post about 8-12 feed posts + Stories every game day. These include photos and videos with game highlights and updates
- Official Media Partners have rights to post photos and video highlights from league games
- Fan & New Media outlets can be cranking out as many as 50+ feed posts a day along with Story highlights and user generated content from around the league.
As fans, our Feeds are full updates and highlights in near real time. Beyond that, high consumers of Stories, can find even more immediate updates where available
Power of Real Time Conversations
Take a five minute smartphone tour of any digital native fan and you’re likely to see conversations happening in private (WhatsApp, Snapchat, Messenger, SMS) as well as public (Twitter, Reddit).
Real time chat allows fans to closely keep tabs on a game or games without actually watching on cable.
YouTube’s library of Recaps
In a busy world it’s not always possible to watch a full game… especially if a game tips off is at 10:30pm (more on that in a sec.).
Similarly, maybe you don’t want to watch a full Mavs game (sorry, Cuban), but you do want to see Luka drop those 40 points without breaking a sweat.
The NBA cranks out ~10 minute game recaps for every regular season game (i.e. 1,230 total) along with playoffs.
So whether you’ve missed your team, are a fane of the game, or just have a generationally youthful attention span the NBA delivers a very well utilized option to ‘view’ recent games.
Is West Coast the Best Coast?
You don’t realize how hard it is to be the fan of a western conference team living in the east until it happens to you (for me, RIP Vancouver Canucks 2016-present).
LeBron plays the majority of his games at the tail end of NBA game days (9-10:30pm EST). A lot of fans have followed him around the country (burning jerseys all along the way). With all the options available, many of east coasters may continue to sleep on these late night games until the playoffs roll around.
Where to from here?
The only thing these viewership metrics are truly relevant for are long-term negotiations between Turner (TNT), Disney (ESPN, RSN) and the NBA (at +2.5 Billion/year is not an insignificant negotiation).
NBA viewership, if given a more modernized definition, is significantly healthier than publicized because the current baseline narrative is missing massive chunks of what, in my opinion, should be considered an element of viewership.
Thoughts?
WS.
p.s. for reference, Billboard Hot 100 added “YouTube plays” to its metrics in 2013. Just sayin’ ¯\_(ツ)_/¯
As the Game II looms near it feels appropriate to highlight a key win by the National Rugby League (Australia) from Game I State of Origin — and that “W” was from the League itself… winning fans’ second screen.
NRL’s Instagram Story from sunrise through to post-game celebrations was incredibly well crafted. So much so, I wanted to break down the successful elements to help inspire creators everywhere.
First off, to pique the interest of anyone deep in the Stories game, here’s the high-level recap from this story.
Story Insights:
- # of Total Snaps: 48
- Total Story Length: 6m15s
- Completion Rate: 66.9%
- Change in Organic Reach: 143% higher organic reach vs. trailing 90 day avg.
There’s a lot to unpack exactly why this story ticked the boxes of Instagram’s algorithm and flew off the circular top shelf of the app.
So buckle up and get inspired by the team at NRL.
Intro: what’s to come
An engaging 10s intro (high paced enough to keep you from feeling the need to tap next or swipe out) the Story starts strong with historical moments from Origin’s of past.
(note: shouting out Network 9 their broadcaster reminds fans where to find the footy tonight)
Putting Instagram Polls at the top of the Story helps drive active engagement. This inevitably tells Instagram your followers like not only this Story but also content from your account.
Another power move was cross-promoting their Snapchat Lens with a swipe up. Australia has a highly engaged audience of young-Snapchatters, so ensuring fans know they have AR (augmented reality) to play with shows precisely how well the NRL understands the importance of connecting with young fans on their level — an epic few frames here!
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#Origin: a Storied History
In most instances, I would always advise a client to rethink having 2 x 15 second videos near the top of a Story as any videos over 10s tend to see an average drop off rate of 7-10%+. This can be an engagement killer and lead your organic reach in the wrong direction. Not with the team here.
There are a couple of reasons why this 30s clip plays, it’s:
- made specifically for vertical, it was the forefront of the strategy, not the afterthought
- cuts between clips with graphics and gives the feeling of shifting into a new Snap rather than watching a 15-second video
- leans in on history: the past gets fans fired up about the present
- links to longer form content for those wanting to dip their toes into this content at length
- and lastly, for the OTT peeps out there too, you’ll note NRL had an easy awareness piece for NRLTV — done in a way to not detract from the Story itself
That 30 seconds flies by in the palm of your hands.
Back to the Present: who, what, where
Similar to the top of the Story, the tactic of active engagement to bring your followers back into the narrative across a full day Story helps immensely in Instagram’s algorithm.
- A simple Poll — ‘who ya got’ — is an easy way to recalibrate fan focus
- Refresher on the game at hand — quick video: Sound On (obviously)
- Head-to-Head Game Stats from all 114 matches to date
- Shots of the stadium tailing off on another easy engagement sticker (Slider) does the trick
Across these 5 Snaps (20 seconds) only saw a 2.12% drop off rate — total! (that’s insanely good)
Shout Out to the Future: when, how
Promoting the future NRL stars is a key to the game’s long-term sustainability so it was great to see them drop in details on when and where the U18 Game was going to be available.
Again, this was also a subtle tie to their own OTT – NRLTV (great stuff!)
Pregame: prepping for #Origin
We’re getting close to game time now, it was imperative to remind followers of the actual task at hand.
Cue stadium specific stats to highlight the home state and stadium advantage the Maroons have built for themselves over the past 39 years of Origin.
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Always a win with fans is getting them behind the scenes. A couple quick locker room shots (bonus points for having team specific GIFs loaded into GIPHY) as well as a few of the team entering Suncorp Stadium.
Game Time: fireworks, legends & the Kick Off
Right before the broadcast fires up the full line ups were pre-scheduled to go live on NRL’s Story.
This is probably overlooked for its value by most. The reason this is important is it’s a timely reminder that the NRL has fans covered on their 2nd screen for the whole evening.
As the final festivities got underway the NRL went all out on offering unique content specific to the channel as both teams made their way on to the field
For those on their second screens, it’s a very timely reminder to get your first screen tuned into Network 9.
Again, another high quality pre-made and scheduled video helped to kick off the game in real time.
So there are a couple of things worth mentioning here (and it’s these subtleties which are those 1%ers that add up over time).
- They made sure this ‘stock imagery’ wasn’t out of place by using recent Origin Imagery from Suncorp Stadium means a fan’s subconscious does not disengage with incongruent Stock Imagery
- They’re using graphics that line up with what you find in Instagram, so even though this was made in InDesign, it still feels native to the channel
Live Updates: not just for Twitter
Twitter used to be the only spot you could get live updates… not anymore.
I absolutely love what they’ve done here:
- Premade Blues & Maroons templates
- Designed to drop in horizontal highlights (cutting vertical like this just is not practical for these videos)
- Updated in near-real-time to all tries are populated throughout the game (2nd screen ftw)
Post Game: feel the realness
After the final whistle blows they do an excellent job again winning that second screen by making sure unique channel specific content littered their Story through to completion.
Putting the phone in the hands of the victors is adds to the moment for everyone.
Summary: this Story won because
- High energy intro
- Active engagement at key points throughout the day (read: IG Stickers)
- Keeping the history and fanaticism of State of Origin front and centre throughout
- World Class Vertical videos created
- Any still images were great quality & well branded (and had important information to share for the day)
- Behind the scenes before and after kept fans coming back at important times of the day
- All content was unique to the channel
National Rugby League Digital Team credits:
Cassandra Wilkins – Social Media Manager
Reece Carter – Senior Social Content Producers
What an epic weekend of March Madness, if your bracket isn’t busted you need to go get checked out. Through all the ups and downs we’re looking at four from team mish into the Sweet Sixteen.
On the Snapchat front, one of the highlights we saw was Texas Tech getting fan centric with their Storytelling in the quest to find the farthest fan.
The Call to Action (CTA) was simple: send us a Snap from where you’re cheering on the Raiders — with a geo-filter to prove it (cuz, you know, nobody likes a cheater) — for a chance to be featured on the Story.
As you can see the outcome was pretty epic.
Texas Tech saw a 15% reply rate from their followers who were Snapping back #WreckEm, Guns Up and Go Raiders from all corners of the globe (seriously, Raiders are everywhere)
We’re looking forward to another big week ahead. In case you’re keeping track, here’s who we still got in our client bracket at Mish*:
Want to chat more about integrating your fans into your Storytelling? Let’s chat.
*we love all our clients equally
This year’s March Madness kicked off with additional excitement in the Mish Guru offices (this type of chat usually resides cleanly within the Slack channel properly titled #sports).
Here’s why:
That is because nine institutions and/or departments lacing up for March Madness use Mish Guru to tell their campus story. And better yet, they’re actually having fans tell it for them (this is an example of Texas Tech pre-game today — Go Raiders!)
I remember when we didn’t even have nine SaaS clients (we’re not even talking about nine universities as clients… or nine in freaking March Madness!).
This is an example of why it’s important for startups to build predictable, scalable, sales processes aligned to solving the needs of an addressable and defined market — in this case, higher education — and doubling down.
Had Mish Guru spent all its scarce marketing and sales energies in its early days on the random lowest hanging fruits from all the trees in the orchard, rather than getting specific, there is no way 14% of March Madness institutions would be using Mish Guru on their campuses in 2018.
I’m super pumped to be cheering on the Blue Devils, Wildcats, Jayhawks, Spartans, Friars, Jackrabbits, Raiders, Racers, and being part of the Wolf Pack this March Madness… and even more excited to continue to build on these wins and learnings in higher ed as well as the new verticals we build out in 2018.
Cheers to the madness,
Will
Roger Bannister passed away today at the age of 88. He’s best known as the first person to break four minutes for a mile, which — leading up breaking 4 minutes in 1954 — was sometimes viewed as impossible to do on foot.
The following half decade after Bannister’s feat, another 20+ others joined the “sub-4 club.” It became seemingly easier to accomplish after one man refused to except expert opinion and an invisible barrier placed on human performance.
Here’s a narration of the race by the man himself:
RIP Sir Bannister, thanks for changing the game.
